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'
'My history book at school said it.'
'Yes, but whom was die history book quoting?'
'Quoting? It wasn't quoting anything. It was just giving facts.'
'Who smothered them, did it say?'
'A man called Tyrrel. Didn't you do any history, at school?'
'I attended history lessons. It is not die same thing. Who was Tyrrel?'
'I haven't the remotest. A friend of Richard's.'
'How did anyone know it was Tyrrel?'
'He confessed.'
'Confessed?'
'After lie bad been found guilty, of course. Before he was hanged.'
'You mean that this Tyrrel was actually banged for the murder of die two Princes?'
'Yes, of course. Shall I take that dreary face away and put up something gayer? There were quite a lot of nice faces in that bundle Miss Hallard brought you yesterday.'
'I'm not interested in nice faces. I'm interested only in dreary ones; in "murdering brutes" who are "men of great ability".'
'Well, there's no accounting for tastes,' said The Midget inevitably. 'And I don't have to look at it, thank goodness. But in my humble estimation it's enough to prevent bones knitting, so help me it is.'
'Well, if my fracture doesn't mend you can put it down to Richard III's account. Another little item on that account won't be noticed, it seems to me.'
He must ask Marta when next she looked in if she too knew about this Tyrrel. Her general knowledge was not very great, but she bad been educated very expensively at a highly approved school and perhaps some of it had stuck.
But the first visitor to penetrate from die outside world proved to be Sergeant Williams; large and pink and scrubbed-looking; and for a little Grant forgot about battles long ago and considered wide boys alive today. Williams sat planted on die small bard visitors' chair, his knees apart and his pale blue eyes blinking like a con' tented cat's in die light from die window, and Grant regarded him with affection. It was pleasant to talk shop again; to use that elliptical, allusive speech that one uses only with another of one's trade. It was pleasant to hear the professional gossip, to talk professional politics; to learn who was on the mat and who was on the skids.
'The Super sent his regards,' Williams said as he got up to go, 'and said if there was anything be could do for you to let him know.' His eyes, no longer dazzled by the light, went to die photograph propped against die books He leant his head sideways at it. 'Who's the bloke?'
Grant was just about to tell him when it occurred to him that here was a fellow policeman. A man as used professionally, to faces as he was himself. Someone to whom faces were of daily importance.
'Portrait of a man by an unknown fifteenth-century painter,' he said. 'What do you make of it?'
'I don't know die first thing about painting.'
'I didn't mean that. I meant what do you make of the subject?'
'Oh. Oh, I sec.' Williams bent forward and drew his bland brows into a travesty of concentration. 'How do you mean: make 0f it?'
'Well, where would you place him? In die dock or on die bench?'
Williams considered for a moment, and then said with Confidence: 'Oh, on die bench.'
You would?'
'Certainly. Why? Wouldn't you?'
'Yes. But die odd thing is that we're both wrong. He belongs in die dock.'
'You surprise me,' Williams said, peering again. 'Do you know who he was, then?'
'Yes. Richard the Third.'
Williams whistled.
'So that's who it is, is it! Well, well. The Princes in the Tower, and ail that. The original Wicked Uncle. ?
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